“Good Times,” “The Jeffersons” and “Sanford and Son” brought a wave of Black characters to TV, even as the shows opened up tensions over stereotypes.
As a birthday present for Tyler Perry last year, a mutual acquaintance arranged for him to meet one of his heroes, Norman Lear. Perry grew up watching Lear’s groundbreaking television shows, and was awed by how several presented a fuller version of Black lives onto American television screens for the first time.
Long ago, Perry had hoped to have a storied career that would emulate a speck of what Lear’s shows such as “Good Times” and “The Jeffersons” displayed: that Black people can share opinions, fall in love, laugh and be fearful just like anyone else.
“Had it not been for Norman, there wouldn’t have been a path for me,” said Perry, whose film and TV empire has made him one of the most powerful figures in Hollywood. “It was him bringing Black people to television and showing the world that there’s an audience for us.”
Perry departed his meeting with Lear, who was 100 years old at the time, with a deeper appreciation for the craftsmanship of the pioneering television writer and producer who died at 101 on Tuesday. The reality of Lear, a white man, being responsible for bringing a fuller picture of Black lives to American TV screens was a product of the era, when most doors were still closed to Black producers and creators. Some characters in his shows were the source of flare-ups, particularly when some Black cast members complained about stereotypical portrayals, which are still debated today.
Yet despite those tensions, it’s hard to find anyone in the medium of television who is held in such high regard, including by many Black writers and showrunners now creating and running today’s shows.
“It’s like asking someone who played basketball if Michael Jordan influenced them,” said Kenya Barris, the creator of “black-ish.” “He changed the way contemporary storytelling was told in the genre that I was doing it in.”
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